A book-cover series for three Albert Camus novels, The Stranger, The Fall, and The Plague, reimagined as manila windowed envelopes. Each cover is printed on raw kraft stock with a die-cut window whose shape responds to the title: a narrow mail slot for The Stranger, a tall slit for The Fall, a broad square for The Plague.
The conceit turns the book into a piece of undelivered correspondence, sealed, anonymous, waiting to be opened. The series was published in Fully Booked by Die Gestalten Verlag and exhibited in Gateways, a graphic-design survey curated by Andrew Howard in Porto and Lisbon.

